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  1.  31
    How to Speak Kata Phusin.Jessica Elbert Decker - 2019 - Epoché: A Journal for the History of Philosophy 23 (2):263-274.
    Heraclitus has often been read through Aristotelian and Stoic paradigms that do not contextualize his text in the poetic tradition with which his fragments engage. This paper is a close study of Heraclitus’s DK 1 as a demonstration of his poetic methods, and argues that Heraclitus’s text is an example of what Marcel Detienne calls magico-religious speech. Heraclitus’s logos is a living thing, not only words but ‘works,’ as Heraclitus refers to his logos in DK 1, using the Homeric formula (...)
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  2.  29
    Everliving Fire: The Synaptic Motion of Life in Heraclitus.Jessica Elbert Decker - 2015 - Epoché: A Journal for the History of Philosophy 19 (2):173-180.
    This paper explores Heraclitus’s linguistic method as a structural expression of his cosmological philosophy. Through an analysis of the various kinds of motion that Heraclitus describes, including the crucial motion between opposites, this essay delineates the meaning of ‘everliving fire’ as emblematic of his cosmos. The image of the synapse frames this analysis as it is simultaneously a motion and an expression uniting two poles; ‘syn’ also invokes Heraclitus’s notion of ‘shared logos’ as xynon, contrasted with human incomprehension as axynetoi. (...)
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  3.  25
    I Will Tell A Double Tale.Jessica Elbert Decker - 2021 - Epoché: A Journal for the History of Philosophy 25 (2):237-248.
    Double speak refers to two parallel devices that are often deployed together: simple repetition, which is frequently used as both emphasis and as an indicator of double speak, and ambiguous syntax such that the phrase uttered may have multiple meanings at once. This paper explores the use of double speak in early Ancient Greek poetic texts, beginning with Homer and tracing its use through the texts of Heraclitus, Parmenides, and Empedocles. Double speak seems to be employed in order to mediate (...)
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  4. Like those who are untested : Heraclitus's logos as tuning instrument for Psuche.Jessica Elbert Decker - 2022 - In Jill Gordon (ed.), Hearing, sound, and the auditory in ancient Greece. Bloomington, Indiana: Indiana University Press.
     
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  5. Like those who are untested : Heraclitus's logos as tuning instrument for Psuche.Jessica Elbert Decker - 2022 - In Jill Gordon (ed.), Hearing, sound, and the auditory in ancient Greece. Bloomington, Indiana: Indiana University Press.
     
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  6.  17
    Otherwise than the binary: new feminist readings in ancient philosophy and culture.Jessica Elbert Decker, Danielle A. Layne & Monica Vilhauer (eds.) - 2022 - Albany: SUNY Press.
    Examines traditional sites of binary thinking in ancient Greek texts and culture to demonstrate surprising ambiguity, especially with regard to sexual difference.
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  7.  21
    Patterns of Physis_ and the Self-Making _Kosmos in Heraclitus.Jessica Elbert Decker - 2021 - Ancient Philosophy Today 3 (1):54-73.
    Contemporary Western thinkers recognise the destructive effects of long-standing attitudes of mastery over nature and the dualistic and hierarchical thinking that informs them. Heraclitus’ metaphysical position is ideal for reframing these traditional stances for several reasons: first, Heraclitus’ concept of identity is dynamic and relies on a sophisticated understanding of opposites that recognises ambiguity; secondly, his philosophical position produces a model of truth as multiple rather than univocal; and finally, in Heraclitus’ self-making kosmos, human beings are not separate from the (...)
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  8.  23
    The Feminine Symptom: Aleatory Matter in the Aristotelian Cosmos. [REVIEW]Jessica Elbert Decker - 2015 - philoSOPHIA: A Journal of Continental Feminism 5 (2):341-346.
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